This is the last post before coverage of 52portraits Special Edition: Guatemala begins. This week I got to catch up with a friend of mine at his west town eye-wear boutique.
We did the shoot in his space located on Ashland Avenue. It's a beautiful space with a large art installation in the front window. Never being satisfied with ambient light, I approached this portrait with three lights. I used a combination of big and small lights, using an Einstein in a large softbox at high camera left as my main light, and two SB-800 behind the subject. I used one with barn doors as an edge for both coyote and the tree back camera right, and the other right next to it aimed at the far wall to Illuminate the background. I wanted the background light to cast a hard shadow on the telescope and the glasses frames on the wall. I love the visual simile between the telescope and it's shadow. I experimented shooting from several different angles. I love the painted tree branch hanging from the ceiling, and tried to do a couple takes using it alone as a background.
Again, I like the hard shadow cast by the branch, emphasizing its form. Here are a few other takes from the shoot:
Cheesin'
Strobist Info:
PCB Einstein camera left through large softboxSB-800 back camera right through barndoors
SB-800 back camera right
Camera Settings:
1/250 f/5.6 at ISO 100
Nikon 17-55 f/2.8 @24mm
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